If this was music (which it’s not synaesthetically far from), you would say, this is a piece for “Dandelion seeds, leaves, a taxidermied blackbird, nylon, lead, and acrylic”.
Here’s what’s cool about Claire Morgan’s style: it looks like a heck of a lot of work. Ordinarily, say, in a painting or a sculpture, the same amount of work goes into the final product. But you don’t notice it when you stand back. With Morgan’s work, you do. No matter how near or far you are to the piece, the bones stand out.
If you like this, wait till you see the same trick done with strawberries.
